NOTE: Many of you are probably clicking over from CBS -- thanks much to the site for linking. But I'd like to say that this reaction is from before the Letterman appearance, which changed my mind on the incident. See my additional reactions here, here and here. In the second link I make the point I wasn't the only person to see it this way at first.
ORIGINAL POST:
This video of the actor who played Cosmo Kramer on Seinfeld, Michael Richards, is really making the rounds. Jerry Seinfeld himself has said it makes him "sick."
In the video -- which, police brutality tape-style, starts after some audience members heckle the actor -- he shouts down a black man in the front row, repeatedly using the word "n----r." A few in the crowd laugh (you can tell he's trying to be funny by heckling the hecklers), but mostly it falls flat.
The comedian keeps going.
And going.
And going.
Until people start walking out in disgust.
First of all, I don't think there was any racist intent here; he was trying to be edgy and entertaining, and some people even found it such.
Ethnic humor seems to be on the uptick lately, with comedians like Chris Rock and Dave Chappelle delightfully poking fun at human differences. And as some Seinfeld episodes have made clear, comedians need to respond to hecklers to keep momentum. The combining of the two was a dumb choice, but even if Richards was a racist, he'd be smart enough not to show it onstage.
The bigger question here is: What's the rule on racial slurs in comedy?
It's pretty clear minorities can use them with impunity. Carlos Mencia not only rags on his own ethnicity ("b--ner") but pretty much every other one as well ("cr----r," "n-gga"). Sarah Silverman, a Jew, gets away with "n----r" and "ch-nk." Rock and Chappelle have used their fair share of unsavory racial terms.
Is the rule for non-Jewish whites that they can only do it when it's funny? Or that they can't do it at all? I'm not aware of too many white comedians who work race into their routines, so I'm not able to test the question.
If this incident is any indication, it definitely becomes "racism" when the joke falls flat, but we'll have to wait for a really gutsy white guy to see whether a good racist joke is passable.
Or even possible. Can white racism be funny in front of a multi-ethnic audience?
Robert VerBruggen blogs at http://robertsrationale.blogspot.com.
UPDATE: A commenter has argued that the slurs weren't uttered in a comedic context; they were a sincere, personal attack on an audience member. This is certainly a valid interpretation (the guy himself took it that way), but to me it sounds like Richards is speaking in a theatrical tone, not as if he's actually lost control and is ranting. He even pauses, thinks and keeps going.
A few of the audience members laugh, indicating that they not only think he's joking but find it funny. I disagree -- and I love ethnic jokes -- but humor is a very subjective thing.
UPDATE II: I've just come across Richards's Wikipedia page, which says he "produced and directed shows dealing with race relations" as a member of the V Corps Training Road show during the Vietnam War. Of course, this doesn't prove he's not a racist, but it isn't consistent with a racist interpretation, either. It also points out that he's apologized for the recent incident -- so far as I can tell he neither made excuses for his words nor admitted they betrayed any genuine prejudice.
Monday, November 20, 2006
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4 comments:
The point is that it was not in a context of "comedy" at all. It was a personal attack on an audience member using the n-word. That is unacceptable in any situation. Every one of these situations should be judged individually and this one is a clear-cut case of racism.
"Fifty years ago we'd have you upside down with a f-ing fork up your ass."
"You can talk, you can talk, you're brave now motherf-er. Throw his ass out. He's a n-! He's a n-! He's a n-! A n-, look, there's a n-!"
"They're going to arrest me for calling a black man a n-."
"That's what happens when you interrupt the white man, don't you know?"
Doesn't sound like a joke to me. I certainly didn't find it funny and neither did most of the folks there.
The two African American hecklers who called Michael Richards a Cracker please apologize to the American people. I don’t care which show you appear on just do it because it is racist and has offended many people.
TWELVE STEP PROGRAM ...
Imagine the following scenario within the context of free association improv:
1. Confronted with hecklers/disruption
2. Invoke the spirit of Bill Hicks (Comedy Central #19 all-time greatest comic) and find the most vicious thing to lash out with ... see YouTube for Hicks' "you suck" and "free bird" heckler retorts.
3. Realize that you've just crossed a line into dangerous territory and question why it's so dangerous
4. Keep going and add the spirit of Lenny Bruce ... (Comedy Central #3 all-time greatest comic) to drop n-bombs in an over-the-top rant that melds Hicks' and Bruce's spirits in a single, repetitive, screaming tirade ... see YouTube for Dustin Hoffman recreating Bruce's "suppression of words; n-bomb" barrage "until it doesn't mean anything anymore".
5. Lose the audience - either your delivery was poor or they didn't get where you were going with this.
6. Try to pull them back in by explaining the premise with "it shocks you" and "there's still those words" - the latter with a pace and intonation that sounds eerily like George Carlin (Comedy Central #2 all-time greatest comic) ... see YouTube for the 7 words you can't say on television.
7. Realize that there's no pulling tonight's audience back in.
8. Remember life before you were the 1990's Horshack from Welcome Back Kotter and think "what would Andy Kaufman (Comedy Central #33 all-time greatest comic) do? ... see YouTube for footage of Kaufman's and Richards' inside joke/envelope pushing on ABC's "Fridays"
9. Walk off the stage and call it a night, leaving the audience wondering "he didn't really mean that, did he?".
10. Let the Internet run amok with overblown discussion about whether you are or aren't a racist.
11. Apologize on Letterman and reach out to Community Leaders - because even you're freaked out about "what did I do last night?"
12. Don't *ever* explain what you were really trying to do - better to be remembered as an edgy comic that some got and some didn't instead of being remembered as Kramer.
Only time will tell, and time has been kind to Lenny, Bill and Andy.
Perhaps time will be kind to Michael too.
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